Lab Hours

This week went alright. I spent about 20 minutes in the library with Holly and Brian getting the American Indian article for the NAGPRA assignment. I spent an hour with Nessa on Friday looking through her books and making a few copies. Thank you again Nessa! I worked on Sunday for roughly 2 hours looking the accession file for my objects time line but since the assignment hasn't been laid out for us, I guess I`m not that confident in my work.

Repatriation

4) "New York State Museum, Albany, NY (August 29, 2008). In 1956 the museum purchased two tiems formerly in the Heath collection from the Logan Museum of Anthropoloyg, both of which Heath reported came from a grave in Emmet County, Michigan: a copper kettle and a silver wristband bearing what is porbably the touchmark of eighteenth-century silversmith Jonas Schindler. As "unassociated funerary objects" under NAGPRA both pieces were slated for repatriation to the Little Traverse Bay Bands of Odawa Indians in Michigan."
(American Indian Art, Vol. 35(2): 78, Spring 2010)
9)"U.S. Army Corps of Engineers, Portland District, Portland, OR and Museum of Anthropology, Washington State University, Pullman, WA (September 10, 2008). In 1982 an American Indian grave was found on the streamside terrace in north-central Oregon. The remains were repatriated to Oregon`s Confederated Tribes of the Umatilla Indian Reservation. This notice also stated that the "unassociated funerary objects" discovered at the time--fifty-one items, including fragments of a bone awl, some stone fragments, and three square nails--would be turned over to the same tribal entity."
(American Indian Art, Vol. 35(2): 79, (Spring 1010)
16) "U.S. Department of Agriculture, Forest Service, Kootenai National Forest, Libby, MT (October 9, 2008). In the mid-1970s a private party illegally removed 560 items--including bone beads, shells and animal teeth-- from "traditional cultural property" in Lincoln County, Montana. In 1979 this individual gave the objects to the University of Montana, and sixteen years later the collection was turned over to the Kootenai National Forest. It was agreed that the assembladge met NAGPRA`s requirements for inclusion in the "objects of cultural patrimony" category and should be transferred to the Confederated Salish & Kootenai Tribes of the Flathead Indian Reservation in Montana."
(American Indian Art, Vol. 35(2): 79, (Spring 1010)

Lab Hours

I faired pretty well this week. I spent 2 hours in the library looking for a catalog and scholarly resources. The only reason it took so long was that a book I wanted was somewhere in the library but no body could find it. The librarian and I became detectives, I think I played the role of Watson pretty well, and we eventually found it on the wrong shelf in the sorting room. Once I got home, I sat down to read my catalog in order to complete the critique assignment and the next thing I knew, 3 hours had gone by. I totally recommend Tradition and Innovation: A Basket History of the Indians of the Yosemite-Mono Lake Area. I will be returning it soon, so please check it out! It`s awesome!

Lab Hours

My lab hours this week are kind of lacking. I spent some time in the museum before the opening, basically talking to Brian and sweeping the back room. For the most part I spent 3 hours being in the way. I did walk around making sure that the things that were affixed to the wall with labels were smooth and cleaned some glass. I spent about 5 minutes everday checking the blogs to make sure I am keeping up. I also spent about an hour browsing the different job websites, looking for an actual job that I might apply to.
As I read the blogs, I see that people are counting their hours they spend reading the text for class. For some reason I didnt think that that counted, but if it does, I spent roughly an hour and a half doing the class reading.

Museum Jobs

1) Yes, I have held a museum job in the past. I worked in the Museum Store/Collectors Corner in the Toledo Museum of Art. I was led to acquiring this job by Burcaw`s #5, answering adverstisements of museum job openings. My job was half concerned with selling the typical gift store items, from postcard, posters, tshirts, and the full toys that I feel art museum stores are known for. The second part of my job involved selling original works of art made by local artists. The collectors corner portion of the store sold many different style of artwork: pottery, glass, jewelry, paintings, and photographs. I had to know each artist and what they sold and where exactly they were from. I had to know the types of materials they used or styles of art they preferred while creating their works of art. Like any museum store, I was also responsible for representing the museum in a positive manner. I had to direct visitors to specific areas, I had to have a working knowledge of the collection and ecspecially the touring exhibits that were visiting the museum. I did not just sell postcard, I sold an experience.

2)Director of Archival Collecting
Job ID: 6703764
Position Title: Director of Archival Collecting
Company Name: Rock and Roll Hall of Fame and Museum
Job Function: Curator
Entry Level: No
Location(s): Cleveland, Ohio, 44114, United States
Posted: April 9, 2010
Job Type: Full-Time
Min Education: BA/BS/Undergraduate
Min Experience: Over 10 Years
Required Travel: 25-50%

Company: Rock and Roll Hall of Fame and Museum
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APPLY FOR THIS JOB
Email Address: hr@rockhall.org
Fax: 216-515-1998

Apply URL: http://www.rockhall.com

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Job Description
The Rock and Roll Hall of Fame and Museum is currently considering applicants for the position of Director of Archival Collecting. The Director of Archival Collecting reports to the Vice President of Exhibitions and Curatorial Affairs and is responsible for the acquisition of archival materials for the Museum's Library and Archives from inductees, artists and individuals in the music industry. In addition, this person will work on building and strengthening the Museum's relationships with inductees, artists and the music industry.

RESPONSIBILITIES:

Acquisitions

1. Works with industry contacts to identify and collect materials for the Museum's Library and Archives.

Works with the VP of Exhibitions and Curatorial Affairs and the Director of Library and Archives to research and identify potential items based on the needs of the Library and Archives.
Locates and acquires important archival materials relating to the history, music and business of rock and roll.
Contacts potential donors including collectors, artists, music industry personnel, recording executives and artist representations for donations of papers, photographs and other materials for the library and archives.
Examines potential donor archives to determine value and importance of the collection.
Maintains knowledge of the Museum's Library and Archives collections.
Maintains relationships with donors of archival materials, artists, record label representatives, industry people and collectors in an effort to make future acquisitions.
Artist and Industry Relations

1. Establishes, builds and maintains positive relations with artists, agents, managers and industry people.

Utilizes knowledge of band histories and makes contact and follow up.
Establishes relationships with music industry contacts (agents, band management and label representatives).
Monitors tour schedules of artists touring Cleveland and invites them to the Museum.
Acts as a liaison between the Museum and artists/managers/agents and record labels.
2. Develops and maintains a database of music industry contacts (agents, artists, band management and label representatives).

Develops and builds database of music industry contacts to foster on-going relationships with the Museum.
3. Works in conjunction with the curatorial and exhibitions to coordinate artist relations around planned exhibit openings.

4. Assists with the education department to coordinate artist relations involving public and educational programs and performances.

5. Travels off-site and/or out of state when required.

Duties include but may not be limited to the above.

Job Requirements

Bachelor Degree in communications, popular culture or related field preferred.
A minimum of ten years experience in the music business, with a strong emphasis on established meaningful relationships in the music industry.
Extensive knowledge of rock and roll and its related music forms.
Strong music industry relationships required.
Ability to professionally interact with major artist personalities and public figures.
Ability to deal directly with performers, managers, agents, etc.
Ability to give public speeches
Excellent written and verbal communication skills.
Ability to organize and prioritize work to meet deadlines.
Maintains confidentiality in all assignments.
Ability to get along with other people.
Ability to successfully pass a Rock and Roll Hall of Fame and Museum reference check, background investigation and drug screening.
Computer Literate: Microsoft Products; Familiarity with library/archival database catalog systems.

(AAM Job Headquarters)

I think I would be excellant for this position because:
>working knowledge of music history
>have previously worked with musicians and record labels with great success
>worked in the music industry for 5 years, so many relationships with artists and other music industry individuals are still strong and stable.

Lab Hours

So I totally dropped the ball and forgot to log my lab hours last Wednesday. I spent roughly 6 hours working in the museum on 3/25, but I did take a lunch break so I suppose we can say I worked 5 hours. I also was able to give my mom a short tour of the museum on 3/28. We spent around 10mins walking around and I tried my best to give her a good tour. Thanks to Dr. C for being there and letting us in!